Daughtry and Seether unleashed pure intensity at Boston’s MGM Music Hall at Fenway, delivering powerhouse vocals and unstoppable energy that shook the venue.
Lansdowne Street has been a bit quieter lately now that the Red Sox are out of the playoffs. It’s disappointing news for baseball fans—but for concertgoers, it comes with one small perk: easier parking and quicker access to the heart of Boston’s music venues.
MGM Music Hall at Fenway has hosted an incredible lineup this year, and the momentum shows no signs of slowing with upcoming dates from Mudvayne and Noah Kahan. On this particular night, fans gathered early for a powerhouse co-headlining bill featuring Daughtry and Seether, with support from P.O.D. and rising LA artist Kami Kehoe.
Taking the stage just after 6:30 PM, Kehoe immediately proved why she’s one to watch. Her sound, an electrifying blend of pop, rock, and R&B, bends genres to create something uniquely her own. A multi-instrumentalist through and through, Kehoe even jumped behind the drum kit several times throughout her set, showcasing her versatility and stage presence.
Her new EP, Kandy, released in July, highlights that same dynamic range, marking her third project since emerging on the scene. Following 2024’s Something in the Water and 2023’s Drama Queen, the new release feels like a creative evolution, bigger, bolder, and more refined. She was the perfect artist to kick off an unforgettable night of music, one that set the bar high for everything that followed.
Next up was P.O.D., a complete change-up from Kehoe. Arriving on the nu-metal scene in 1992, the San Diego-based band, short for Payable on Death, was one of the early trailblazers that helped define the genre’s fusion of metal, rap, and reggae influences. Their independent debut, Snuff the Punk (1994), earned them underground recognition and laid the foundation for their breakout success. By the time they signed to Atlantic Records and dropped The Fundamental Elements of Southtown in 1999, P.O.D. had already solidified their reputation for raw authenticity and socially conscious lyrics that stood out in a scene dominated by angst and aggression.
The band truly exploded into the mainstream with 2001’s Satellite, an album that captured the post-9/11 emotional landscape and produced anthems like “Alive,” “Youth of the Nation,” and “Boom.” These songs not only defined a generation of fans but also showcased the band’s ability to balance heavy riffs with messages of hope and unity.
Opening their set with the explosive “Boom” from Satellite and rolling right into the title track, P.O.D. hit the stage with unstoppable energy. From the moment frontman Sonny Sandoval came out, dreadlocks flying, mic in hand, the crowd was electric. The rhythm section of Traa Daniels on bass and Zach Christopher on drums kept the groove tight and heavy, while Marcos Curiel’s guitar tone sliced through the mix, reminding everyone why P.O.D. still commands respect more than three decades into their career.
At one point, Sonny Sandoval jumped off the stage and made his way into the crowd, singing shoulder-to-shoulder with fans. It was a powerful moment of connection that perfectly summed up what has always set P.O.D. apart: their ability to erase the barrier between band and audience. The move cranked the energy up yet another notch, turning an already electric performance into a full-blown celebration of unity and sound.
Midway through the set, Sandoval led the crowd in a spontaneous “Happy Birthday” sing-along , before diving into a gritty, groove-driven cover of The Beatles’ “Don’t Let Me Down.” Their set also included a powerful performance of “Youth of the Nation,” which had the entire venue joining in on every word.
Before wrapping up, Sandoval shared how much the band loves Boston, calling it the perfect place to get warmed up before Daughtry and Seether took the stage. They closed with “Alive,” a timeless anthem that had every voice in the venue raised high. As the final notes rang out, Sandoval smiled and offered one last message to the crowd: “Take care of yourself and each other.”
Safe to say, P.O.D. isn’t slowing down anytime soon. With their brand-new 2024 album Veritas, a powerful cover of The Beatles’ “Don’t Let Me Down,” and a stacked touring schedule that runs well into 2026, the band continues to prove they’re as relevant and energized as ever. If you haven’t seen them yet, there’s still time.
With the crowd still buzzing from P.O.D.’s powerhouse performance, the lights dimmed and anticipation filled the room. As the opening chords of “The Seeds” rang out, from there, Daughtry launched into “Divided” and “The Day I Die,” a one-two punch that balanced grit and melody. Daughtry’s voice was as commanding as ever, raspy yet controlled, soaring over tight instrumentals that showcased just how seasoned his lineup has become.
The night kicked off with several tracks from Daughtry’s latest album, Shock to the System, released earlier this year. The record marks a darker, more introspective turn for the band, one that leans heavily into cinematic textures and emotional weight. Songs like “The Seeds” and “The Day I Die” translate powerfully live, revealing a raw edge and lyrical depth that reflect Daughtry’s continued evolution as both a songwriter and performer. The new material felt right at home alongside his biggest hits, showing that nearly twenty years in, Daughtry is still pushing his sound forward and constantly adapting.
After a few high-energy openers, Daughtry paused to address the crowd before performing “Pieces.” He dedicated the song “to anyone who’s ever faced heartache and made it through to the other side,” reminding fans that “there’s always light on the other side of darkness.” The room was captivated and visibly moved as he delivered one of the most emotional moments of the night, his voice carrying every ounce of vulnerability the lyrics held.
The tone shifted as the band ripped into a fiery cover of Journey’s “Separate Ways (Worlds Apart),” blending classic rock nostalgia with Daughtry’s trademark intensity. Even without Lzzy Hale there to cover her end of the vocals, the song still packed a punch. The crowd erupted once again as he declared, “What do you say we take it all the way back to where it started in 2006?” The opening riff of “It’s Not Over” drew an instant roar from fans, who sang every word like it was 2007 all over again.
As the cheers subsided, the lights dimmed and Daughtry returned to the stage alone, acoustic guitar in hand. He paused to thank the opening acts and give a nod to Seether, joking that the crowd would need to “hold out just a little longer” before they could “rock the f*ck out.” Flashlights filled the venue as he performed “Home,” the song that cemented his place in modern rock. The crowd matched him line for line, their voices rising to meet his.
The band returned to the stage to kick the energy back into high gear with “Antidote” and “The Dam.” Fans were on their feet for “Terrified” and “Over You,” before the pulse-raising “Heavy Is the Crown” closed the main set in dramatic fashion.
The encore brought one final surge of emotion with “Artificial.” Under a wash of red and white lights, Daughtry’s vocals filled every corner of the venue. As the last notes faded, he looked out at the crowd and smiled: “We absolutely love playing Boston. Thank you for making us feel so damn good tonight.”
By the time Seether took the stage, the energy inside MGM Music Hall was electric. The lights dimmed, and the band launched into “Pride,” a deep cut from their 2002 debut Disclaimer, played live for the first time since 2006. The crowd roared in recognition and were immediately swept into the band’s heavy, sludgy groove.
Without pause, they dove into “Needles,” another long-shelved favorite that hadn’t been performed since 2017. The raw aggression of the track set the tone for the night: unapologetically heavy, loud, and emotionally charged. Frontman Shaun Morgan’s gravel-edged vocals carried both fury and fragility, while Dale Stewart’s basslines shook the floor beneath the audience. Guitarist Corey Lowery and drummer John Humphrey locked in tightly, creating that signature wall of sound Seether is known for, dense yet dynamic.
The setlist was a tour through the band’s evolution, balancing nostalgia with the weight of their modern sound. Midway through the night, the familiar twang of a southern guitar riff rang out as the band launched into “Country Song” from Holding Onto Strings Better Left to Fray. Corey Lowery ping-ponged across the stage, playing every note with precision while engaging the crowd and keeping the energy high. The momentum carried straight into the anthemic “Rise Above This,” dedicated to Shaun Morgan’s late brother. The song turned the venue into a chorus of voices, thousands of fans singing every word together in a moment of shared release and quiet catharsis.
From there, Seether leaned into “Nobody Praying for Me,” “Fine Again,” and “Broken,” each song landing with precision and passion. With the crowd taking charge of “Broken” and singing loudly. Morgan’s voice, alternating between a guttural snarl and an aching melody, cut straight through the mix. During “Wasteland” and “Words as Weapons,” he sang with a conviction that made the lyrics hit harder than ever, proof that Seether’s songs of struggle and resilience still resonate deeply with audiences nearly 25 years in.
The visuals stayed true to the band’s aesthetic, moody lighting, bursts of red and blue, and a constant haze that wrapped the stage like smoke from a fire refusing to burn out. As the set built toward its conclusion, “Dangerous” and “Lost All Control” cranked the tension higher before erupting into the explosive “Fake It.”
They closed with “Remedy,” the perfect ending to a set that hit every emotional register—anger, loss, hope, and release. Seether is the master at taking fans on a journey that goes beyond solid rock performance. Their music becomes a conduit for coping and connection, offering listeners a space to process mental health struggles, personal loss, and the everyday weight of life.
Their 2024 album, The Surface Seems So Far, is a prime example of that honesty. Written during some of Shaun Morgan’s most introspective and isolated moments in 2020, the record reflects a harder, darker Seether—one that doesn’t shy away from pain but instead transforms it into something empowering. Morgan channels his own experiences while acknowledging the shared struggles of others, creating songs that feel deeply personal yet universally relatable.
It’s a darkly introspective, emotionally raw album born out of quiet moments and internal battle. But it’s also a reminder of resilience—proof that beneath the heavy riffs and searing vocals lies a band still searching, still feeling, and still connecting with those who find solace in their sound.
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